The Foxy Film Fan

Discussing The Lodge  without spoilers is incredibly difficult, but this review will be completely spoiler free. The basic premise of the horror movie is simple, but admittedly a little strange: two children are forced to spend the holidays with their father's girlfriend in the titular lodge during a terrible blizzard. All three of them are unhappy with an arrangement which sounds disastrous from the start, yet the girlfriend and father decide it's simply what they should do. So, we join Riley Keough in her babysitting adventure isolated in a cabin. My biggest critique is that the writers should have decided on stronger reasoning for Keough to wind up stuck with the two children in the middle of nowhere. Perhaps it could have been a situation more like  The Shining  and less along the lines of "your dad said this is a good idea, so it's clearly a good idea." Silly set-up aside, The Lodge  is decent. The film longs to discuss complex subjects like religious abuse,

(The following review is spoiler-free!) "Enola is alone backwards," our protagonist tells us in one of her many monologues. She tells us many things - how she's feeling, what she's thinking, where she thinks she should go next. Her wide gaze is disconcerting and her sunny disposition grating. This isn't Sherlock Holmes, this is Millie Bobby Brown and Henry Cavill playing dress-up. Everything about Netflix's newest release is grating. Its mystery begs us to care for cartoonish characters who speak to us as if we're watching an episode of Dora the Explorer. Showing rather than telling is thrown to the wayside in favor of constant fourth wall breaks to beat your sense of immersion into a bloody pulp. Enola Holmes  wants you to know that you're watching a movie, and that it's the funniest, wittiest, and most important movie you're ever going to see (unfortunately, in light of recent events that very well may be true). From its fast-paced editing to

The following review is spoiler-free! The new sci-fi horror film Possessor  is unlike anything I've ever seen. Borrowing elements from popular science fiction releases like Inception , Brandon Cronenberg's new movie twists the assassin/heist sci-fi plot into something revolting. Like a car crash, once you start watching you can't look away from every bit of gore and terror on screen.  IndieWire called Possessor  a "gory techno-thriller" and I couldn't agree more.  Possessor operates within strict rules and logic which establish an unwavering sense of realism. Its slow pacing and meticulous depiction of the daily grind of the average worker makes its universe feel lived in and real. The future Cronenberg shows us isn't sleek and chrome, its either pastel apartment complexes through a muddy gray lens or horrifically bright red. Despite its promotional imagery the horror of the movie is rarely visual. Instead Possessor  grabs hold of Stephen King's defini

Spree  is a horror comedy with a simple premise: a driver for Spree (a fictional ride-share service similar to Uber or Lyft) is plagued with the desire for internet fame. He spends his free time streaming video games, making mediocre electronic music, and attempting to leech off of the fame of a friend. His entire life revolves around the unobtainable allure of going viral. One day he decides he's going to do whatever it takes to force the world to pay attention to him. Joe Keery from Stranger Things  is the driving force of the film. His greasy disheveled look and overeager neediness make for a fascinating watch from start to finish, and he's remarkably believable as a socially inept young man scrambling for the limelight. If anyone else was cast as Kurt the movie simply wouldn't be any good, because in the slower dull moments of the movie it's truly Keery's performance that kept me watching. Most of the fun in Spree  comes from the found footage style which it rew

     When Todd Phillips'  Joker (2019) was announced there was almost an immediate wave of backlash. Media outlets prepared everyone for potential shootings and the internet anticipated a movie which told the story of an angry cishet white man fighting back against a society he believed owed him something. I recently rewatched Joker  since my first time seeing it in theaters last year and disagree with this theory. Joker , at its core, is a deeply empathetic movie which demonstrates the plight of the mentally ill, the endless cycle of poverty, and why gun control is crucial.     Protagonist Arthur Fleck is suffers from a cocktail of mental illnesses, including one which drives him to painful gag-inducing bouts of laughter when faced with stressful situations. He receives dirty looks from strangers and fumbles for an explanation for his condition, a situation which many disabled people can relate to. Often times the burden of explaining the right to exist is placed on the disabled i

In yet another painful 2020 betrayal the Mulan remake tricked me into watching a Star Wars movie. The trailer promised fun highly stylized fight scenes and unfortunately that's all Disney's newest live-action remake has to offer.   Mulan is no longer a clumsy-yet-brave heroine who takes the place of her father in the military despite being unremarkable. Now she's essentially a Jedi who has been hiding the forbidden fighting abilities which flow through her veins since she was a child. Instead of watching Mulan grow into a warrior, the audience watches her grapple with whether or not she should reveal that she basically has superpowers. It's difficult to discuss Mulan  without at least making note of lead actress Liu Yifei's controversial political opinions. The actress voiced support for Hong Kong police, who were beating Chinese citizens as they peacefully protested to bring democracy to their country.  Bearing this in mind, it makes it difficult to take Yifei